If you look at drawing, which is that silent poetry, you will find the truth marked for you.
Sheikh Mohamed Abdou (March 18, 1904)
As we reflect on the fifth anniversary of a defining moment in our history, Cairo-based surrealist painter Yasser Rostom sheds light on different aspects of the current geopolitical events. Featuring a new body of work in Doves and Crows, Rostom mixes literalism with symbolism to create layers of meanings and accentuate the ills afflicting the region as well as the hopes that could salvage the peoples.
To an artist born in 1971, the Arab Spring, a term that inspired hope and change, provides the space to rethink our national identity/identities and ponder on what might come next. Using symbols from his studies in ancient Egyptian art, personified animals and iconic visuals from different neighboring countries, Rostom constructs a witty and surreal socio-political tale in search of answers.
The dove and the crow, two birds adopted as icons of peace and power, appear on Rostom’s intricate works on paper and reveal his paranoiac-critical method of decoding the present for greater artistic creativity. To millions, the defenseless doves are a symbol of peace. The cunning crow, on the other hand, is the symbol of the dark and terrible night, or the necessary opponent.
In our continued quest for peace and religious tolerance, Yasser Rostom reminds us of the confused state in which hope and despair seem to blur. In honoring one of the founders of Egyptian Surrealism of the 1940s, Rostom stays true to Ramses Younan’s statement that art presents itself as the means to liberate the nation.